Cooperative arrangement between two Chicago, Illinois companies in the 1950s resulted in the production of the Revere 33 Stereo Camera. 

Revere, a camera and projector manufacturer produced the camera body, while the Wollensak lens manufacturer produced the high quality lenses and shutters. The result was a high quality stereo camera to compete with the commercially successful Realist and Kodak stereo cameras.

The Revere 33 Stereo Camera features two Wollensak Amaton f3.5 lens with Wollensak s Rapax shutters offering T, B, 1 2 second to 1 200 second speeds. Other features are shutter cocking with film advance, coupled rangefinder, and flash synchronization on a dedicated hot shoe.

Sporting some better features than the Realist and Kodak cameras offered made the Revere 33 Stereo Camera a successfully marketed product, only slightly held back by its higher ticket price compared with the competition. That higher price still exists today, still  due to its better features.